The nominations for the 94th Academy Awards were announced last February 8, and we can’t help but feel excited as a wide range of film genres were included in the list of best movies released in 2021.
Back for another year after the first pandemic-era awarding ceremony held in April of last year, the 2022 Oscars Nominations will be aired live at 8 pm ET/5 pm PT on ABC from the Dolby Theatre in Hollywood this March 27. This announcement was made by actors Leslie Jordan and Tracee Ellis Ross.
While we don’t know yet who will be hosting the 2022 Oscars, it has been confirmed already there will be a host after three years of hostless ceremonies.
2022 Oscars Best Picture Nominees
Leading the pack with 12 nominations is Jane Campion’s “The Power of the Dog,” which stars Benedict Cumberbatch – also nominated as Best Actor. Aside from making history as the first woman to be nominated more than once for Best Director, the drama has also earned the Best Picture, Best Adapted Screenplay, Best Supporting Actress, and Best Supporting Actor Nominations.
Now with 11 films nominated for Best Picture, Steven Spielberg’s “West Side Story” also set a new record for getting seven nominations – Best Director and Best Picture included.
Probably one of the biggest highlights of the Oscars is the Japanese movie, “Drive My Car”. Aside from getting the International Feature Film Category nomination, the film, which is based on Haruki Murakami’s short story, ‘Me Without Women’, has also been nominated in the following categories: Best Picture, Best Director, and Best Adapted Screenplay. To date, this is the first Japanese film that garnered more than one Oscar nomination.
Completing the 10 nominees for best picture are Dune, Belfast, CODA, Don’t Look Up, Licorice Pizza, and Nightmare Alley.
Full List of 2022 Oscar Nominees
Best Director
- Paul Thomas Anderson (Licorice Pizza)
- Kenneth Branagh (Belfast)
- Jane Campion (The Power of the Dog)
- Ryûsuke Hamaguchi (Drive My Car)
- Steven Spielberg (West Side Story)
Best Actor
- Javier Bardem (Being the Ricardos)
- Benedict Cumberbatch (The Power of the Dog)
- Andrew Garfield (Tick, Tick … Boom!)
- Will Smith (King Richard)
- Denzel Washington (The Tragedy of Macbeth)
Best Actress
- Jessica Chastain (The Eyes of Tammy Faye)
- Olivia Colman (The Lost Daughter)
- Penélope Cruz (Parallel Mothers)
- Nicole Kidman (Being the Ricardos)
- Kristen Stewart (Spencer)
Best Supporting Actor
- Ciarán Hinds (Belfast)
- Troy Kotsur (CODA)
- Jesse Plemons (The Power of the Dog)
- J.K. Simmons (Being the Ricardos)
- Kodi Smit-McPhee (The Power of the Dog)
Best Supporting Actress
- Jessie Buckley (The Lost Daughter)
- Ariana DeBose (West Side Story)
- Judi Dench (Belfast)
- Kirsten Dunst (The Power of the Dog)
- Aunjanue Ellis (King Richard)
Best Costume Design
- Cruella (Jenny Beavan)
- Cyrano (Massimo Cantini Parrini and Jacqueline Durran)
- Dune (Jacqueline West and Robert Morgan)
- Nightmare Alley (Luis Sequeira)
- West Side Story (Paul Tazewell)
Best Original Screenplay
- Belfast (Kenneth Branagh)
- Don’t Look Up (Adam McKay; story by Adam McKay & David Sirota)
- King Richard (Zach Baylin)
- Licorice Pizza (Paul Thomas Anderson)
- The Worst Person in the World (Eskil Vogt, Joachim Trier)
Best Adapted Screenplay
- CODA (Siân Heder)
- Drive My Car (Ryusuke Hamaguchi, Takamasa Oe)
- Dune (Jon Spaihts and Denis Villeneuve and Eric Roth)
- The Lost Daughter (Maggie Gyllenhaal)
- The Power of the Dog (Jane Campion)
Best Sound
- Belfast (Denise Yarde, Simon Chase, James Mather, and Niv Adiri)
- Dune (Mac Ruth, Mark Mangini, Theo Green, Doug Hemphill, and Ron Bartlett)
- No Time to Die (Simon Hayes, Oliver Tarney, James Harrison, Paul Massey, and Mark Taylor)
- The Power of the Dog (Richard Flynn, Robert Mackenzie, and Tara Webb)
- West Side Story (Tod A. Maitland, Gary Rydstrom, Brian Chumney, Andy Nelson, and Shawn Murphy)
Best Original Score
- Don’t Look Up (Nicholas Britell)
- Dune (Hans Zimmer)
- Encanto (Germaine Franco)
- Parallel Mothers (Alberto Iglesias)
- The Power of the Dog (Jonny Greenwood)
Best Animated Short Film
- Affairs of the Art (Joanna Quinn and Les Mills)
- Bestia (Hugo Covarrubias and Tevo Díaz)
- Boxballet (Anton Dyakov)
- Robin Robin (Dan Ojari and Mikey Please)
- The Windshield Wiper (Alberto Mielgo and Leo Sanchez)
Best Live Action Short Film
- Ala Kachuu — Take and Run (Maria Brendle and Nadine Lüchinger)
- The Dress (Tadeusz Lysiak and Maciej Ślesicki)
- The Long Goodbye (Aneil Karia and Riz Ahmed)
- On My Mind (Martin Strange-Hansen and Kim Magnusson)
- Please Hold (K.D. Dávila and Levin Menekse)
Best Film Editing
- Don’t Look Up (Hank Corwin)
- Dune (Joe Walker)
- King Richard (Pamela Martin)
- The Power of the Dog (Peter Sciberras)
- Tick, Tick … Boom! (Myron Kerstein and Andrew Weisblum)
Best Makeup and Hairstyling
- Coming 2 America (Mike Marino, Stacey Morris, and Carla Farmer)
- Cruella (Nadia Stacey, Naomi Donne, and Julia Vernon)
- Dune (Donald Mowat, Love Larson, and Eva von Bahr)
- The Eyes of Tammy Faye (Linda Dowds, Stephanie Ingram, and Justin Raleigh)
- House of Gucci (Göran Lundström, Anna Carin Lock, and Frederic Aspiras)
Best Animated Feature
- Encanto (Jared Bush, Byron Howard, Yvett Merino, and Clark Spencer)
- Flee (Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sørensen, and Charlotte De La Gournerie)
- Luca (Enrico Casarosa and Andrea Warren)
- The Mitchells vs. the Machines (Mike Rianda, Phil Lord, Christopher Miller, and Kurt Albrecht)
- Raya and the Last Dragon (Don Hall, Carlos López Estrada, Osnat Shurer, and Peter Del Vecho)
Best Documentary Feature
- Ascension (Jessica Kingdon, Kira Simon-Kennedy, and Nathan Truesdell)
- Attica (Stanley Nelson and Traci A. Curry)
- Flee (Jonas Poher Rasmussen, Monica Hellström, Signe Byrge Sorensen and Charlotte De La Gournerie)
- Summer of Soul (Ahmir “Questlove” Thompson, Joseph Patel, Robert Fyvolent and David Dinerstein)
- Writing With Fire (Rintu Thomas and Sushmit Ghosh)
Best Documentary Short Subject
- Audible (Matt Ogens and Geoff McLean)
- Lead Me Home (Pedro Kos and Jon Shenk)
- The Queen of Basketball (Ben Proudfoot)
- Three Songs for Benazir (Elizabeth Mirzaei and Gulistan Mirzaei)
- When We Were Bullies (Jay Rosenblatt)
Best Original Song
- “Be Alive” — DIXSON and Beyoncé Knowles-Carter (King Richard)
- “Dos Oruguitas” — Lin-Manuel Miranda (Encanto)
- “Down to Joy” — Van Morrison (Belfast)
- “No Time to Die” — Billie Eilish and Finneas O’Connell (No Time to Die)
- “Somehow You Do” — Diane Warren (Four Good Days)
Best Cinematography
- Dune (Greig Fraser)
- Nightmare Alley (Dan Laustsen)
- The Power of the Dog (Ari Wegner)
- The Tragedy of Macbeth (Bruno Delbonnel)
- West Side Story (Janusz Kaminski)
Best International Feature Film
- Drive My Car (Japan)
- Flee (Denmark)
- The Hand of God (Italy)
- Lunana: A Yak in the Classroom (Bhutan)
- The Worst Person in the World (Norway)
Best Production Design
- Dune (Zsuzsanna Sipos and Patrice Vermette)
- Nightmare Alley (Tamara Deverell and Shane Vieau)
- The Power of the Dog (Grant Major and Amber Richards)
- The Tragedy of Macbeth (Stefan Dechant and Nancy Haigh)
- West Side Story (Rena DeAngelo and Adam Stockhausen)
Best Visual Effects
- Dune (Paul Lambert, Tristan Myles, Brian Connor, and Gerd Nefzer)
- Free Guy (Swen Gillberg, Bryan Grill, Nikos Kalaitzidis and Dan Sudick)
- No Time to Die (Charlie Noble, Joel Green, Jonathan Fawkner, and Chris Corbould)
- Shang-Chi and the Legend of the Ten Rings (Christopher Townsend, Joe Farrell, Sean Noel Walker, and Dan Oliver)
- Spider-Man: No Way Home (Kelly Port, Chris Waegner, Scott Edelstein, and Dan Sudick)
Most of 2022 Oscar-nominated movies can be streamed for free for those with subscriptions to Disney+, HBO Max, Hulu, and Netflix. Others are also available for purchase or rent on Amazon Prime Video, Apple TV, iTunes, Vudu, and Google Play. Meanwhile, the full documentary of Attica can be seen on YouTube or on Amazon Prime Membership.
Image source: Kirsty Griffin/Netflix
[…] Academy Film Awards – which celebrates the best in films of the previous year. Oscar-nominated ‘The Power of Dog’ bagged the evening’s biggest award for the Best Film while ‘Belfast’ became the […]